Cary Grant's Salary

TitleSalary
That Touch of Mink (1962) $4,000,000 (including his percentage of the gross profits.)
Operation Petticoat (1959) $3,000,000 (including his percentage of the gross profits.)
North by Northwest (1959) $450,000 (plus $315,000 overtime and percentage of gross profit)
Indiscreet (1958) $300,000 + Rolls Royce
To Catch a Thief (1955) $750,000 + 10% of grosses over $8,000,000
People Will Talk (1951) $300,000
I Was a Male War Bride (1949) $100,000 (plus 10% of the gross receipts if they reached $1m.)
The Bishop's Wife (1947) $500,000
Night and Day (1946) $150,000
None But the Lonely Heart (1944) $150,000 + 10% of the Profits
Arsenic and Old Lace (1944) $160,000 (donated to British War Relief, USO, and Red Cross)
Arsenic and Old Lace (1944) $100,000
The Philadelphia Story (1940) $137,500 (donated to British War Relief Fund)
The Philadelphia Story (1940) $150,000
In Name Only (1939) $100,000
Gunga Din (1939) $125,000
Bringing Up Baby (1938) $75,000 + 11% gross ($139,150)
The Awful Truth (1937) $50,000 + 10% of gross ($500,000 in back end earnings)
The Toast of New York (1937) $50,000
Topper (1937) % of Gross
When You're in Love (1937) $50,000
Wedding Present (1936) $3,500 /week
The Amazing Quest of Ernest Bliss (1936) $3,500 /week
Suzy (1936) $3,500 /week
Big Brown Eyes (1936) $3,500 /week
Sylvia Scarlett (1935) $2,500 /week + $15,000 bonus
The Last Outpost (1935) $2,500 /week
Wings in the Dark (1935) $2,500 /week
Enter Madame! (1935) $2,500 /week
Alice in Wonderland (1933) $750 /week
I'm No Angel (1933) $750 /week
Gambling Ship (1933) $750 /week
The Eagle and the Hawk (1933) $750 /week
The Woman Accused (1933) $750 /week
She Done Him Wrong (1933) $750 /week
Madame Butterfly (1932) $450 /week
Hot Saturday (1932) $450 /week
Blonde Venus (1932) $450 /week
Devil and the Deep (1932) $450 /week
Merrily We Go to Hell (1932) $450 /week
Singapore Sue (1932) $450 /week
Singapore Sue (1932) $150
Sinners in the Sun (1932) $450 /week
This Is the Night (1932) $450 /week
That Touch of Mink (1962) $4,000,000 (including his percentage of the gross profits.)
Operation Petticoat (1959) $3,000,000 (including his percentage of the gross profits.)
North by Northwest (1959) $450,000 (plus $315,000 overtime and percentage of gross profit)
Indiscreet (1958) $300,000 + Rolls Royce
To Catch a Thief (1955) $750,000 + 10% of grosses over $8,000,000
People Will Talk (1951) $300,000
I Was a Male War Bride (1949) $100,000 (plus 10% of the gross receipts if they reached $1m.)
The Bishop's Wife (1947) $500,000
Night and Day (1946) $150,000
None But the Lonely Heart (1944) $150,000 + 10% of the Profits
Arsenic and Old Lace (1944) $160,000 (donated to British War Relief, USO, and Red Cross)
Arsenic and Old Lace (1944) $100,000
The Philadelphia Story (1940) $137,500 (donated to British War Relief Fund)
The Philadelphia Story (1940) $150,000
In Name Only (1939) $100,000
Gunga Din (1939) $125,000
Bringing Up Baby (1938) $75,000 + 11% gross ($139,150)
The Awful Truth (1937) $50,000 + 10% of gross ($500,000 in back end earnings)
The Toast of New York (1937) $50,000
Topper (1937) % of Gross
When You're in Love (1937) $50,000
Wedding Present (1936) $3,500 /week
The Amazing Quest of Ernest Bliss (1936) $3,500 /week
Suzy (1936) $3,500 /week
Big Brown Eyes (1936) $3,500 /week
Sylvia Scarlett (1935) $2,500 /week + $15,000 bonus
The Last Outpost (1935) $2,500 /week
Wings in the Dark (1935) $2,500 /week
Enter Madame! (1935) $2,500 /week
Alice in Wonderland (1933) $750 /week
I'm No Angel (1933) $750 /week
Gambling Ship (1933) $750 /week
The Eagle and the Hawk (1933) $750 /week
The Woman Accused (1933) $750 /week
She Done Him Wrong (1933) $750 /week
Madame Butterfly (1932) $450 /week
Hot Saturday (1932) $450 /week
Blonde Venus (1932) $450 /week
Devil and the Deep (1932) $450 /week
Merrily We Go to Hell (1932) $450 /week
Singapore Sue (1932) $450 /week
Singapore Sue (1932) $150
Sinners in the Sun (1932) $450 /week
This Is the Night (1932) $450 /week
Sources:
IMDB, Wikipedia


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